PDF Ebook iPad and iPhone For Musicians For Dummies
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iPad and iPhone For Musicians For Dummies
PDF Ebook iPad and iPhone For Musicians For Dummies
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From the Back Cover
Learn to: Hook your instruments up to an iPad and iPhone Record and edit your songs with apps and effects Mix, master, and upload complete songs Use your iPad or iPhone to make amazing music Are you looking to use your iPad or iPhone as a portable musical instrument, recording studio, or composition tool? You’ve come to the right place! Whether you’re into rock, pop, country, folk, or hip hop, there’s something inside for anyone who wants to use an iPad or iPhone to churn out awesome tunes on par with what comes out of the big studios. Eye up iOS — explore the possibilities of making music with your iOS device, download apps from the iTunes store, and convert your portable device to a music studio Start making music — emulate conventional instruments, play from the touch screen, connect to a mic or keyboard, and use apps for great guitar and bass amp sounds Plan your rig — set up your iOS studio, work with DAWs and other recording apps, and monitor your sound with speakers and headphones Work your workflow — weigh the pros and cons of layering, get the best recording quality, understand audio settings, manage your tracks, and record in the field Edit, mix, and share — find out how to edit and mix your music, avoid the loudness wars, and export your finished masterpieces to share with the world Open the book and find: The advantages of available iOS devices The best amp modeling apps How to perform with your iOS device A multitude of multi-app possibilities How to work with multiple apps together The scoop on working with Audiobus 2 Typical editing features you’ll encounter Everything you need to know about file formats Music apps you can’t live without
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About the Author
Ryan C. Williams is a musician and an expert on digital music tools. He is author of Teach Yourself Visually Bass Guitar as well as books on digital music, podcasting, and online business. Mike Levine is U.S. editor for Audiofanzine and a former editor for Electronic Musician.
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Product details
Series: For Dummies
Paperback: 408 pages
Publisher: For Dummies; 1 edition (February 24, 2015)
Language: English
ISBN-10: 9781118991169
ISBN-13: 978-1118991169
ASIN: 1118991168
Product Dimensions:
7.4 x 1 x 9.2 inches
Shipping Weight: 1.2 pounds (View shipping rates and policies)
Average Customer Review:
3.7 out of 5 stars
6 customer reviews
Amazon Best Sellers Rank:
#668,684 in Books (See Top 100 in Books)
While there is some good general material in this book, it needs updating. Material was written in 2014, which is ancient history for iOS platform technology. I mean, iOS 8? Nothing on the iPad Retina, or Pro models? Also, it's very skimpy on actual editing and production. I can't bust it completely because there is good information on MIDI control with external hardware, but it's still a gamble depending on what information you need. 2 1/2 stars.
This book is essential, I recommend it to all my musician friends. Please don't let the "For Dummies" name fool you. While it certainly starts out simple enough for a beginner, it's the most comprehensive book on making music with iPhones & iPads I've every seen. Sure, you can probably find some information on YouTube, but, for me, it's worth it to have everything in one place. This book goes beyond the ephemeral nature of current app offerings and dives into more substantial best practices for recording, inter-app audio, music making and live sound that can be applied to any scale and skill-level of musician. Two thumbs up.
Great read
top notch,
Fairly useful
Having been involved in iOS music for the last 5 years I wanted to fill in the missing gaps in my overall knowledge - yes, I know the series is aimed toward complete beginners - but was kind of shocked by some of the glaring omissions, such as Nanostudio and MultitrackDAW in the DAW recommendations section, or the highly useful Audioshare audio utility.One of iOS' strongest suits IMO is how quickly one can create really novel but musical sounds; signal processing and unusual i/o (both audio and midi) can be played with in such a way that one learns a lot about general theory in regard to these subjects: however, this book does not touch on this area at all... Not even in passing. Rather, it seems aimed at the hobbyist who spends the least possible time and money learning how to use it as a viable recording environment and instead just wants to get the same guitar tone as his favorite player or something.In short, learned nothing new and in general found it oriented much more toward a guitar-based traditional workflow than the more experimental electronic sounds that iOS music lends itself to so well.
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