Kamis, 31 Juli 2014

Download In a Time of Monsters: Travels Through a Middle East in Revolt, by Emma Sky

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In a Time of Monsters: Travels Through a Middle East in Revolt, by Emma Sky

In a Time of Monsters: Travels Through a Middle East in Revolt, by Emma Sky


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In a Time of Monsters: Travels Through a Middle East in Revolt, by Emma Sky

Review

Previous book, Unraveling: One of the New York Times' 100 Notable Books of 2015 One of the Financial Times' Books of the Year, 2015 A New York Times Editors' Choice A New Statesman [UK] Essential Book of the Year 2015 A Times [UK] Book of the Year 2015

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About the Author

Emma Sky is a Senior Fellow at Yale University's Jackson Institute. She worked in the Middle East for 20 years and was made an Officer of the Order of the British Empire for services in Iraq. Her previous book, The Unraveling: High Hopes and Missed Opportunities in Iraq, was one of the New York Times' 100 Notable Books of 2015, and was shortlisted for both the Samuel Johnson Prize for Nonfiction and the Orwell Prize. She lives in New Haven, Connecticut.

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Product details

Paperback: 320 pages

Publisher: Atlantic Books; None edition (May 15, 2019)

Language: English

ISBN-10: 1786498634

ISBN-13: 978-1786498632

Product Dimensions:

6.2 x 1.1 x 9.2 inches

Shipping Weight: 1.2 pounds (View shipping rates and policies)

Average Customer Review:

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Amazon Best Sellers Rank:

#442,494 in Books (See Top 100 in Books)

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Senin, 28 Juli 2014

Get Free Ebook , by J. R. Ward

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, by J. R. Ward

Product details

File Size: 4697 KB

Print Length: 471 pages

Publisher: Ballantine Books (April 10, 2018)

Publication Date: April 10, 2018

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B0746668NY

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Amazon Best Sellers Rank:

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Hands down my favorite paranormal series!! That being said... I feel like I was shortchanged on this book... Where is the HEA for Sola and Assail?? What is going to happen as she ages?? I also felt with the build up to Vishious and Jane's added storyline that it fell flat!! They had one conflict and then pretty much everything was fine... I understand the need for future stories/books but seriously this was a let down and my very least favorite of ALL Ward books.

Possible spoilersI love diving back into this universe. No matter who the story focuses on, I just love the BDB world. I guess it probably depends on whether you’re a Vishous fan or not, how you will embrace this story. I love Vishous, he’s my favorite brother, so I loved his and Jane’s story line. And I think it was handled well. I think Vishous was sufficiently repentant, and I think both of their issues were brought to the forefront and dealt with. And to those who say Vishous was not his old self, I say that he’s evolving and that’s a good thing.I also loved Assail and Sola’s story, but like many readers, I’m concerned about how their future will work out.I think this was a transition book of sorts. Seems like we’re on the cusp. New enemy, new deity, possible new surgeon (maybe Manny/Butch/Jo Early’s father), Murhder. I’m dying to know who stole the book!I loved the funny moments! The turkey/stuffing/mashed/no veggies scene between V and Phury was hysterical, as well as the My Little Pony PJ pants.I thought some of the scenes were a little too drawn out, focusing too much on the setting. Ms. Ward has too much story to tell to need any filler. But maybe I was just too anxious to get to the action. Can’t wait til the next book!

I have been a huge fan of The Warden and the BDB for many years. Her books have been entertaining, gritty, sexy, funny, and well written. So imagine my disappointment in The Thief. I felt like I was reading a washed out "Harlequin"'romance styled BDB. Many many plot holes, inconsistencies, and what felt like to me, a kind of bored contempt for her characters and readers. This is the woman who wrote "Dark Lover"? I am extremely disappointed in this book.

I love vampire romances! This used to be my absolute favorite vampire series, and Lover Awakened is one of my all-time favorite books. The premise of this book did not particularly appeal to me, but I bought it for the nostalgia of the series. The heroine, Sola, wasn’t very compelling - pretty and tough but immoral and insecure. The hero, Assail, wasn’t much better - handsome and paranormal but weak. They had little chemistry and no sizzle. The storyline was complex and unpredictable. Overall, not a bad book but never caught fire for me.

I just don't know what I've read. It surely can't be a J.R. Ward book. It was so boring. But, then again the Chosen was a huge disappointment. BUT, Blood Fury was excellent. I am starting to wonder if The Warden is spreading herself too thin writing 3 different releases a year. There are tons of inconsistencies, that I am not going to get into, but I will say references to current shows and music shouldn't be referenced when the timeline is a a few years behind the present year.I am seriously wondering if the Warden is using a ghost writer. The writing and story doesn't FEEL like her. There isn't the "grab" and "spark" that sucks you in like the previous few books. It almost feels like "fluff". I would rather see the series end on a good strong book, than be strung along with books that just don't hold your attention any longer. I WANT to be excited for a J.R. Ward release again. I have 10 years invested in this series, I LOVE these characters. Please don't show a disservice to them by writing fluff. The men are the badasses any longer. They are singing Moana songs, and wearing MLP pants! I want the grit and the fighting and rough sex back!

I never know with J. R. Ward books if I'm giving it 4 or 5 stars because there is something that annoyed me so much during the reading that I can't ignore or I loved it so much that I can't think of anything that I didn't like. This book is more of a 3.5 read just because I am so over and done with the Vishous stuff. Like I posted on my Instagram, Ward should just kill the male and be done with him. What I did love about this book was Sola and Assail's story. I know many will disagree with me but I think every story so far has developed at the exact time it should and this one is no different. Assail needed to clean himself of his addiction and Sola needed to see him almost dying for this couple to appreciate what they have or could have. What I like about this books is that we see a side to this characters that is sweet but, even with the women, it does not make them weak and vulnerable, on the contrary, it gives them character and make them feel more real. I can't wait to see what this new turn in the war will bring and how some of the secondary stories will develop further in upcoming books.

I loved this book! Ms. Ward has a knack for taking paranormal characters and making them human. Their feelings, their reactions, everything that makes them who they are is exactly how you would expect someone to act in any given situation. The anger at betrayal, the accusations when you can't admit what's really wrong, forgiveness in love...this book was a wonderful example of that talent.While this ostensibly was Assail and Sola's story, there was still a whole story line dedicated to V and Jane to make the die hard fans of the original Brothers happy. Each one was so well written that I was extremely impressed at the way everything was woven together. Even the ancillary character's stories we well-told and fit into the story in such a way as to seem like a perfect fit.This book harkens back to the first few BDB stories and reminds me again why I love this series so much! I highly recommend this book!

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Senin, 07 Juli 2014

Get Free Ebook The Voice of Fashion: 79 Turn-Of-The Century Patterns With Instructions and Fashion Plates, by Frances Grimble

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The Voice of Fashion: 79 Turn-Of-The Century Patterns With Instructions and Fashion Plates, by Frances Grimble

The Voice of Fashion: 79 Turn-Of-The Century Patterns With Instructions and Fashion Plates, by Frances Grimble


The Voice of Fashion: 79 Turn-Of-The Century Patterns With Instructions and Fashion Plates, by Frances Grimble


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The Voice of Fashion: 79 Turn-Of-The Century Patterns With Instructions and Fashion Plates, by Frances Grimble

Product details

Paperback: 463 pages

Publisher: Lavolta Pr; 1st edition (April 1, 1998)

Language: English

ISBN-10: 0963651722

ISBN-13: 978-0963651723

Product Dimensions:

8.5 x 1 x 11.2 inches

Shipping Weight: 2.6 pounds (View shipping rates and policies)

Average Customer Review:

4.9 out of 5 stars

11 customer reviews

Amazon Best Sellers Rank:

#332,442 in Books (See Top 100 in Books)

I received this book yesterday and it looks amazing so far! Grimble's introduction clears up a good many issues I was fuzzy or wrong on, as concerns these old patterns . The inclusion of the Diamond Cutting System rulers in the back was the main reason I wanted the book, but the variety and number of patterns and information included (in the introduction alone) has made me very pleased indeed.For the record, the rulers Grimble includes can be used to draft not only the patterns in this book, but the ones on Kristina Harris's compilations of period patterns, which are also from the Voice of Fashion publications and use the same system. Dover, who publishes those books, however, make no reference to the drafting system or the proprietary rulers that make it quite simple to scale them up to your size.

Wonderful ideas and complete patterns and suggestions for authentic late-Victorian and Edwardian clothes. These patterns are for real clothes, not costumes. The drafting method used for enlarging the patterns to fit modern sizes is included as are the necessary gages.

This entire series from Frances Grimble is the most astounding amount of compiled research we've ever seen! A valuable resource for costumers, re-enactors, history aficionados, or anyone wanting a comprehensive look at these fashions and the culture surrounding them.I purchased the entire set for my wife (costumer, historian...) and we were completely impressed with both the quality of the content as well as the layout and organization of the series.Absolutely recommended...worth every penny!

So many great patterns! Unfortunately the images and description are original, so it can be tricky trying to figure out how the pieces fit together. But great for anyone looking for early turn-of-the-century patterns.

Once you get used to the pattern sizing techniques, this tome is a must have for any costumer/steampunk enthusiast.You can see some tips on using the "rulers" on YouTube.

Excellent book. Frances has given us all an opportunity to "try" to recreate the patterns she has in each of her 4 books. You do have to read the instructions on how to enlarge them OR as I have done...take them to a drafting company and have them enlarged. I give her book a 10. She has done a large amount of research and I own all 5 of her books. ( Call me crazy but I love her books )

An amazing trip back in time. Not for beginners, drafting patterns requires knowledge of pattern fitting. There are many period outfits to be made complete with excerpts of period fabric and trim ideas.

When I first got this book I had a lot of fun just looking at the fashions during that time period. I bought the book to make an outfit for a re-enactment. I read the instructions for using the Diamond Cutting System and the rulers provided on the back pages of the book, and although I read it all through a few times, I was very confused on how to draft the patterns. My sewing experience is limited to following the instructions that come with today's regular tissue patterns. I had never drafted a pattern before. But once I started the "hands on" work it suddenly made sense! I picked up some old curtain materials at garage and rummage sales for my project. I started with the simplest skirts and I even found it very easy to modify the draft to fit irregular body shapes using the rulers which I photocopied from the book, cutted out, and pasted to cardboard. Pattern paper is impossible to find these days therefore I drafted the patterns onto old bedsheets. I also had to use an ordinary carpenter's angle to work with the rulers. The only tool I don't have, which the book tells me that I need, is a scroll or french curve to shape the armholes, neck curves and some skirt curves. To make the skirts I found that I didn't need this curve tool for the simpler patterns. However, once I start into the more complex patterns it will become a necessity. Pattern instructions are scarce, but if you have some sewing experience this fact should not discourage you too much. Yardage required is also seldom given, so you will have to estimate how much you need once you have drafted the patterns - or just buy yards and yards of old curtain material to start with! I so pleased with this book that I intend to make many more outfits than I had originally intended to make before I bought the book!

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Rabu, 02 Juli 2014

Free PDF Superheroes and Philosophy: Truth, Justice, and the Socratic Way (Popular Culture and Philosophy)

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Review

"Superman's costume always bugged me when I was a kid… So you need a secret identity – cool. But what’s the deal with all the rainbow-hued Spandex masks and costumes?... I found the answer to this great metaphysical dilemma in the book Superheroes and Philosophy, edited by Tom Morris and Matt Morris. In various essays, college philosophy professors and others ruminate on profound issues raised by the superhero lifestyle, such as how Batgirl reflects Nietzsche’s moral perfectionism." – Rick de Yampert, Daytona Beach News-Journal, December 15, 2006

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Product details

Series: Popular Culture and Philosophy (Book 13)

Paperback: 300 pages

Publisher: Open Court; 1st Printing edition (May 10, 2005)

Language: English

ISBN-10: 9780812695731

ISBN-13: 978-0812695731

ASIN: 0812695739

Product Dimensions:

6 x 0.6 x 8.9 inches

Shipping Weight: 14.9 ounces (View shipping rates and policies)

Average Customer Review:

4.4 out of 5 stars

37 customer reviews

Amazon Best Sellers Rank:

#701,537 in Books (See Top 100 in Books)

I actually used this book as a reader for a course in introductory philosophy (together with its companion, Supervillains and Philosophy). It does, naturally, suffer from the usual limitations of an edited book: there is some redundancy and unevenness of style across the various chapters. Nonetheless, both my students and I found it highly enjoyable. The four sections are well organized: The image of the superhero, The existential world of the superhero, Superheroes and moral duty, and Identity and superhero metaphysics. Among the best chapters, or at the least the ones that I found most useful for discussions with the students: Superhero revisionism in Watchmen and The Dark Knight Returns; God, the Devil, and Matt Murdock (coincidentally, Netflix had just released the first season of their well done Daredevil series!); Myth, morality and the women of the X-Men; The Fantastic Four as a Family; and Identity crisis: time travel and metaphysics in the DC multiverse. If you enjoy comic books (or graphic novels, as adults call them) and philosophy, you won’t want to miss this volume.

I did not realize there is an entire series devoted to the philosophical aspects of popular culture until I read this interesting and thought provoking (Superheroes and Philosophy edited by Tom Morris and Matt Morris)book. There are numerous writers and contributors involved in creating this book.This 281 page text is organized into four parts covering a wide range of topics. Part one: The image of the superhero has four essays. The real truth about superman: and the rest of us, too, heroes and superheroes and two other articles. Part two: The existential world of the superhero has seven essays. Some of them include God, the devil, and Matt Murdock, the power and the glory, myth, morality, and the women of the X-Men, Batman and friends: Aristotle and the dark knight’s inner circle. Part three: Superheroes and moral duty has five essays and I admit to finding some of the material disturbing from a philosophical and psychological perspective. I realize the purpose of philosophy is to ask deep questions about why do superheroes do good and choose this over being bad, but if there is no real OBJECTIVE and RATIONAL standard, than I guess anything goes? The final part covers identity, and superhero Metaphysics. There are several contributors in this section. I found these essays somewhat interesting and thought provoking.In conclusion, if you are into philosophical dialogue about popular culture such as this volume (Superheroes and Philosophy) you may want to check out this book. I intend to purchase other books in this series in the future.Rating: 4 Stars. Joseph J. Truncale (Author: Season of the Warrior: A poetic tribute to warriors)

Might be more of a skim-read to some readers since the whole thing does pan on a tad too much at times. I got this as a personal gift for a friend of mine who was not only into philosophy but the Superman character and it hit the spot for him quite nicely. I mainly found this section intriguing in terms of how it covered real-life parallels as well as various adaptations and comic book versions of the character and their philosophy, without seeming tacky, vague or like a cheap cash-in, much like some of these other "Philosophy and [insert famous movie title/character]" books that have been coming out lately.

Two books on superheroes and philosophy very much go together; and because they intertwine quite a bit, I'm reviewing them together for my posted reviews of EACH book: SUPERHEROES AND PHILOSOPHY ("SAP"), and also BATMAN AND PHILOSOPHY ("BAP"). There's a whole lot of stuff and mental somersaults in these books, and by many authors. So following are summaries of some of the high points I think are meaningful and worthwhile, and also some of my comments along the way. The summary points are pretty much verbatim quotations from each book.SAP1. What sets a superhero apart from a normal person? First, a hero is someone admired for achievements and noble qualities. Someone with lofty character or ideals, morally elevated.2. A hero realizes there is no real self-fulfillment without self-giving.3. A superhero shows us the WORST IMAGINABLE harms and adversities and fears can be confronted and overcome. We are shown the power of character and courage over adversity, and so we are inspired to deal with our own difficulties.4. The superheroes give us examples of good people who are able to use force when it's necessary, and within limits, to defeat and subdue otherwise unstoppable evil...Superheroes also exercise a great deal of self-restraint, and are careful to draw lines they will not cross. They are able to fight evil without becoming evil. Means are always critically important. Superheroes' ends never justify their means!5. They don't do what they do because it's popular. They do it because it's right.6. The Roman philosopher, Seneca, said: "No man of exalted gifts is pleased with anything low and inferior. A vision of great achievement calls out to him and lifts him up...Cherish some man of great character, and keep him always in mind. Then live as if he were watching you."7. Batman can keep us going even when the going is very tough. Spider-Man can help us understand that the voice of conscience is always more important than the cacophony of voices around us, who may be condemning us, belittling us, or just dismissing what we think of as so important. Daredevil can remind us that our limitations need not hold us back, and that we all have hidden strengths we can draw on...The heroic path is sometimes lonely, but at a super-level, it is always right.8. WHY does Superman do what he does? What possible reward could public service hold for him, when he could have all that he wants and stay out of the public eye and media scrutiny? When he could wring lumps of coal into diamonds anytime he wants? When he can accomplish most any physical thing that he wants and maintain enormous invulnerability?9. A key to understanding Superman's motives is to realize that he is the sole survivor of his race. He is an alien being, really more alone in this world than anyone has ever been -- and he needs to belong!10. Kal-El knows instinctively that it is only when he puts his gifts to use that he truly feels alive and engaged. Only by acting to his fullest potential, rather than hiding on the sidelines can he genuinely participate in the world around him. When he brings his distinctive strengths into the service of others, he takes his rightful place in the larger community, in which he now genuinely belongs and can feel fulfilled.11. A superhero acts from the belief that damage to a single innocent person cannot be outweighed by creating greater goods for the majority. When presented with a choice between saving an innocent individual and saving a group of people, the typical superhero is incapable of making such a choice. Indeed, perhaps even more than the superhero's powers, the refusal to make this choice is what finally defines what it is to be a hero. It is what the hero does next that raises him or her to superhero status. He or she saves both the innocent individual and the group. The superhero is always focused on the intrinsic value of the individual person, and is still able to defeat the evil foe that treats all other entities as expendable.12. In Plato's REPUBLIC, Socrates argues that the man who lives a life of virtue and justice, even if unrewarded with honor or wealth, will be happier than the one who falls into injustice -- even if the unjust man both prospers and manages to avoid paying for any consequences of his evil acts. Both Batman and Spider-Man are often vilified by authorities and the press -- with their good deeds reinterpreted and "spun" so as to make them appear opposite to what they are. But as Aristotle argued, "There is nothing worth having in life except the exercise of virtues."BAP1. In the BAP book, writers and philosophers argue that Batman is the most complex character ever to appear in comic books and graphic novels.2. An opening question is, does Batman always do right? Why won't he kill the Joker, when he can be virtually certain he will save many innocent lives if he does?3. If we said to the Caped Crusader, as many have, "If you don't kill the Joker, the deaths of all his future victims will be on your hands," he could very well answer, "No, the deaths that the Joker causes are his responsibility and his responsibility alone. I am responsible only for the deaths I cause."4. Most superheroes, even unintentionally, play a subversive role because very few are officially licensed or commissioned by the state to use coercion to guard public order (except, for example, Captain America during WWII). However, even if Gotham is safer because of the Batman, it is no more "orderly," since it has explicitly accepted the idea that one individual can legitimately use violence outside the law. This opens the possibility for copycats with lesser abilities and questionable motivations -- such as Azrael, for example -- to do great harm and subvert the legal system.5. The Batman is born into a city where the state fails at its most basic responsibility of maintaining public safety, where the "social contract" between citizen and state is most essential.6. Batman always violates criminals' civil rights, since he has no authority to act as an agent of the law, and Commissioner Gordon knows that, but he does not place rights and the law before justice and order.7. The personal, informal relationship between Gordon and the Batman is essential. Batman will not mete out punishment, and Gordon cannot rely on his police to maintain order and to rein in supervillains. In the process, they install and maintain a precarious order that the reader comes to believe is right or at least legitimate. This reviewer argues, however, that Batman makes citizen's arrests -- except he escapes accusing and facing criminal suspects, and exercising his citizen's responsibilities in a court of law, because he would have to reveal his identity. Batman leaves all that up to Commissioner Gordon and the District Attorney.8. Bruce Wayne's oath upon the graves of his murdered parents anchors his mission to the past; his commitment to keeping this promise gives him a BACKWARD-LOOKING moral reason to carry out his mission -- he must keep his promise. Batman's enemies fear his great resolve more than they fear his appearance or his strength. Batman ALWAYS keeps his promises, and that makes him more than a man in the eyes of his foes.9. But much about Batman's mission looks toward the future: he wants to make Gotham a safer and better place to live -- a place where children don't lose their parents as he lost his. Batman thus has FORWARD-LOOKING moral reasons for his war against criminals. But are those reasons sufficient to justify his actions?10. Some chapters focus on the question of whether Joker should be held morally responsible for his crimes if he truly is "insane." A great deal of BAP's effort is spent -- and IMO squandered -- on trying to figure whether the Joker is insane, and therefore not guilty and spared by reason of insanity. It's more a question for psychiatrists than philosophers, and the answer -- after much meandering and blabbing in the book -- is yes.11. Another section focuses on the morality or immorality surrounding Batman's use of teen sidekicks in life-threatening situations. This issue of embroiling teen sidekicks in life-threatening situations is far more complex and challenging, because youths cannot be considered responsible for even volunteering for such duty -- until they reach 18 and society considers them fit for warfare, forcible maiming and death. Batman agonizes over this moral conundrum -- torn by his need for a son and crime-fighting colleague, versus what is best and most nurturing and right for a child. But is keeping this (especially gifted and dedicated) child out of the fray really best for him? In Batman's defense is the fact that this teen sidekick can overcome even the most foreboding and villainous enemies -- when well guided, trained and assisted. And that can be very heartening and inspiring to children that they need not be helpless in a scary world. In a scary and extremely threatening place like Gotham, where the authorities fail miserably at protecting even children. And so the Batman shows that kids -- who are at least mentally and physically gifted and determined -- can defend themselves, and can even take the initiative when helped by very capable adults. And so kids need not be so helpless and vulnerable to even the most despicable evils. Maybe that's another reason why Robin has always been so popular with kids, even ever since his introduction way back in April of 1940.12. The philosophy of UTILITARIANISM says to do those actions that will bring about the greatest good, or least amount of evil, for the greatest number of people, and assumes that all people are morally equal. But this reviewer argues this thesis is flawed because it assumes people are interchangeable, and that their individual identities do not matter. As seen above with SAP, a superhero will not accept the Utilitarian thesis for his or her actions.13. When the law fails justice, as it sometimes does, Batman supersedes the law so as to restore the balance between justice and the law, crime and crime-fighting. But if Batman does this to excess or irrationally, then he undermines and destroys the whole concept of justice under law. So again, there is a tremendous weight of moral responsibility on Batman's thinking, will and conduct. And how does he fare under this weight?14. In the pantheon of comic book superheroes, few characters are more focused and determined than Batman. Since the mid-1980s, many writers have pushed Batman's single-minded dedication to such extremes that he has seemed a borderline psychopath -- driven not by an intention to create a better world, but by an insatiable compulsion for vengeance rather than justice.REVIEWER'S CLOSING COMMENTS1. I have selected various passages from the SAP and BAP books, and have by no means comprehensively summarized these extensive books. However, both SAP and BAP seem outdated in a number of respects with philosophical positing and theorizing. There's a lot of faulty, circular-reasoning in both books concerning areas of values and ethics. Problems like: what's good and right constitutes what is virtuous. And what is virtuous? Well, what's good and right, of course! Both books provide no non-value anchoring principles for either or both concepts, in order to escape their circular reasoning, and so they ultimately lead to a lot of uselessness in those respects. Even the 20th century saw some amazing strides in values and ethics areas, where for the first time such concepts of "good" and "evil" were defined and logically well-defended in non-value terms -- thus overcoming the circular reasoning problem in ethics. So both SAP and BAP seem quite out of date in not presenting and applying those advances; and we all lose out on more valid philosophical analyses that could have been applied to superheroes and Batman, and were not.2. I think the BAP point about Batman's having become more of a brutal avenger, rather than a guardian and builder of a better Gotham, is valid. But only for the time being. This is why I want DC to return to portraying Batman's COMPASSION AND PROTECTION as a Dark Knight, rather than simply a vicious crime-fighter and grim avenger who often stops just short of killing evildoers.3. Both the SAP and BAP books fail to address WHY ARE CHARACTERS SUCH AS BATMAN AND SUPERMAN SO LOVED? I think SAP comes closer to looking at the issue, by at least pointing out admirable qualities of superheroes, but it still doesn't delve deeply into why these superheroes are so loved. So after conferring with a few other superhero enthusiasts, here are a couple thoughts:(a) One answer lies in wish fulfillment. We want the same things the superheroes want. We want a better world. We want justice. Since the world is unable to give us those things, we admire the characters who can. They help us believe that such things remain POSSIBLE, even if they are not presently ACTUAL. And they prompt many of us to do a little more to try to make the world a better and more just place.(b) Halloween 2011 in an American small town showed more first-hand reasons why little kids and youths and adults so much love the Dark Knight. Winding through the crowds, the Gotham Guardian hailed folks with waves and cheerful greetings in a best effort at imitating Kevin Conroy: including simple and hearty remarks and waving: "Hi kids!" and "Hello, folks -- are you having a great Halloween!" And then picking kids up and raising them high, while they would laugh with joy. And one thing seemed to sink in: here is this big, black demonic figure -- not a demigod or someone with superpowers, but just a man. But JUST a man? No, much more than that: A man who will go up against the most hideous villains or psychopaths or demons or evil deities, and defend humanity -- and successfully -- against them. A smart and resourceful and resolute fighter in behalf of even the most downtrodden and discouraged. A Bad A$$ who champions the good and the best in humanity. A relentless scrapper who never gives up! An irresistible force who wins in behalf of all fellow human beings. And so we need not be afraid or cowardly or timid in the face of the most horrific threats. Because there's somebody who can look as bad and threatening and stand up to the worst of them. And so we admire this dark creature of the night, this lone figure who will protect us from our most dire terrors -- or at the very least go up against them and never back down. And we thank him, and bless him, and love him.

You had me from the word "superheroes." I was expecting Philosophy Lite - and that's what I got. But I was surprised by how interesting and thought-provoking the essays ended up being. Those about morality, identity, and time travel were especially good. Plus what's not to like about basking a little in the history and lore of the superheroic (although the book has something to say about the term)?

Needed for school, but has turned out to be a very entertaining and insightful book. Learned alot!!

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